Birth Date：1964   
Birth Place：Jingdezhen, Jiangxi Province  
Education：  1985 Admitted to Department of Art Education Art Education Department, East China Normal University 
                      1997 Admitted to Department of Oil Painting, Central Academy of Fine Arts, MA program 
                      2000 Admitted to the Fourth Studio,Department of Oil Painting, School of Arts and Design, Tsinghua University, visiting Scholar, Doctorate program
Work place： China Youth University for Political Sciences

Solo Exhibitions：

“Overlapping Worlds”, 2002, Art Seasons Gallery, Singapore
“Halation Politics”, 2008, Art Seasons Gallery, Beijing, Singapore, Zurich
“Juxtaposed Images”, 2008, New Beijing Art Gallery, Beijing, China
“Weng Yunpeng Solo Exhibition”, 2008, LIMN Gallery, San Francisco, California, US
“Allegory of Electronic Image”,2009, Today Art Museum, Beijing, China
Group Exhibitions：

“Golden Harvest: Chinese Contemporary Art Exhibition”, 2003, Croatia National Museum, Croatia
“Metropolis Now!”, 2009, A Selection of Chinese Contemporary Art, National Art Museum of China/ Meridian International Center, Washington D.C., USA
“Chen Danqing and Weng Yunpeng Exhibition”, 2010, Aye?Eastation Gallery, Beijing-Xi’an Museum of Arts
“Thirty Years of Chinese Contemporary Art—Moving Image in China 1988—2011”,2011, Minsheng Art Museum, Shanghai, China
“Face”, 2012, Minsheng Art Museum, Shanghai, China

    What do we see in this era of images? How do we see? The television screen presents another dimension – look at the faces in the television screen. Those faces are either firm or proud or contemptuous. Glories, memories, the discourse of power presented in subtitles seem to all drown in the din of daily life or the aromas of the kitchen. Yet we cannot just acknowledge the dissolving power of daily life. These public TV portraits, while constituting heterogeneous matter, are also accentuated and reinforced by reality. The intersection of time and space makes it possible for things to appear and reappear in places where they don’t belong. Those familiar scenes have become strange and full of conflicts. As we re-examine the world around us, can we reawaken warmth and sympathies?